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Artwork by Daniel Spoerri «Tableau Piège», 1972 (Snare-Picture) is now on display at S.M.A.K. City Museum for Contemporary Art in Ghent, inside the exhibition “POP ART. From Warhol to Panamarenko” open until May 8, 2022.Spoerri’s artwork is both a tangible souvenir of a dinner with friends and a subtle criticism of the consumer society, elevating banal utensils to the status of art.Pop art is indeed a visual response to the cultural changes that took place in the 1960s like  consumerism, mass consumption, sexual morality, technological progress and  gender equality.

Artworks by Hermann Nitsch "Libera interpretazione da El Greco", 1956; "Ultima cena", 1983 and "Omaggio a don Giuseppe Puglisi", 1993 are now on display at Miniscalchi-Erizzo Museum Foundation, inside the collective exhibition "Il sacro nell’arte. Una selezione di opere dalla Collezione Cattelani" (with artists from the Cattelani Collection) open until January 7, 2022.The exhibition, dedicated to the intimate feeling of sacredness and developed in collaboration with Tiberio Cattelani (son of collectors Afra and Carlo Cattelani), offers a selection of works that left an indelible mark on the contemporary art world throu

The MAMAC (Musée d'Art Moderne et d'Art Contemporain de Nice) dedicates a monographic exhibition "The theater of objects" to the artist Daniel Spoerri, member of the Nouveau Réalisme, close to Fluxus, pioneer of the Eat Art. The exhibition is open until March 27, 2022.With nearly 300 works and documents, the exhibit starting point is emotion, highlighting the demystifying, popular and collaborative nature of Spoerri's work. The artist aims to go beyond the field of representation in favour

Artwork by Andrea Facco "Grigiocolore 78 - L'apparenza - D'apres G.Morandi", 2020 is now on display at Fundación MAPFRE of Madrid, inside the exhibition "Morandi. Infinite resonance" open until January 9, 2022.Fundación MAPFRE is presenting an exceptionally comprehensive survey of Morandi’s oeuvre, with more than a hundred works exhibited. The artist uses everyday motifs to reinstate different emotional timbres, where the objects that surround him are the guiding thread of his seemingly immobile aesthetic. Faithful to a personal research and unaffiliated with any pictorial trend, remote from the clamour of the avant-gardes or any official academic lang