"An artist must be like Prometheus, because he steals fire, source of life, steals it from the gods to give it to men and make them capable of creating their own lives. So I steal the fire or I take it from other artists, philosophers and writers and I try to transmit the fire to other people"
"An artist must be like Prometheus, because he steals fire, source of life, steals it from the gods to give it to men and make them capable of creating their own lives. So I steal the fire or I take it from other artists, philosophers and writers and I try to transmit the fire to other people"
Jan Fabre (b. 1958, Antwerp) is regarded both in Belgium and abroad as one of the most innovative and versatile personalities in the contemporary international art scene. Over the past 40 years, he has made his mark as a visual artist, theatre artist and author.
He describes himself as a consilience artist, explaining: “It’s a merging of elements from different disciplines guided by fact-based theory and practice across disciplines. An understanding of entomology can, for example, lead to new interpretations within the visual arts. Or vice versa - you see connections (for example across art, theatre, science, religion, medicine, politics), you make new interpretations. This is consilience.” Thanks to this undertaking, Fabre offers fresh interpretations to the world of visual art, theatre and literature.
Jan Fabre changed the idiom of theatre by bringing real action and real-time onto the stage. Following his historic eight-hour production 'This is theatre like it was to be expected and foreseen' (1982) and the four-hour 'The Power of Theatrical Madness' (1984), he explored new territory with 'Mount Olympus. To glorify the cult of tragedy, a 24-hour performance' (2015); a monumental marathon piece with which he rewrote international theatre history.
In his visual oeuvre, Jan Fabre has developed a unique and coherent world; a highly personal visual language with recurring symbols and motifs. Whilst studying in Antwerp at the Royal Academy of Fine Arts and the Municipal Institute for Decorative Arts and Crafts, he developed a profound love of beauty and its spiritual power. Curious by nature and influenced by the manuscripts of the entomologist Jean-Henri Fabre (1823-1915), Jan Fabre became fascinated by the world of insects at a young age.
The interaction between human and animal, and between animal and human, is an important component of metamorphosis, and is thus a constant in Fabre's body of thought. Research into the meaning of the body is essential in the oeuvre of Jan Fabre: the body is the entrance to every emotion, thought and higher contemplation. Fabre uses interventions on his own body to explore its fluid boundaries. This is an endless quest for the self, the shell which serves as the entrance to deeper contents. The artist's enduring fascination with the body is also strongly apparent in the personal actions and performances, from 1976 to today.
Jan Fabre has been invited to integrate artworks into various public locations in Belgium and abroad, including 'The Man Who Measures the Clouds' (1998), which can be seen at various sites in Europe and Asia. In Brussels, you experience 'The Gaze Within (The Hour Blue)' (2011-2013) in the stairwell of the Royal Museum of Fine Arts and 'Heaven of Delight' (2002) at the Royal Palace. You can find 'Totem' (2004), an installation depicting a jewel beetle on the Ladeuzeplein in Leuven which became a symbol of the city. In Antwerp, the artist's hometown, you encounter 'The Man who Bears the Cross' (2015) in the Cathedral of Our Lady. In the same city, Fabre created three altarpieces in the footsteps of Rubens, Jordaens and Van Dyck in St. Augustine's Church/AMUZ. Like 'Heaven of Delight', these altarpieces are made with the wing cases of jewel beetles. His latest addition to his public installations is four red coral sculptures in the chapel of Pio Monte della Misericordia in Naples (2019), in dialogue with a masterpiece of Caravaggio.
As well as being a visual artist and a theatre artist, Jan Fabre is also a respected author. His large oeuvre of theatre texts is regarded as a reference by theatre directors, academics and performers alike. The Jan Fabre Teaching Group passes on his theatre texts and specific language of ‘physiological acting’, as an instrument to new generations of artists all over the world. Throughout his life and career, the artist also continues to write literary texts. His daily personal musings and (often poetic) thoughts are collected in the ‘Night Diaries’, which have been published in several languages worldwide.
2022 Jan Fabre. La saggezza del Belgio, Galleria Gaburro, Milan, Italy
Jan Fabre. Allegory of caritas (An act of love), Galleria Muciaccia, Roma, Italy / London, UK
Sprigionarti, 2022 - Capitale Italiana della Cultura, Palazzo D’Avalos, Procida, Italy
Jan Fabre. Homo aquaticus and his planet, Certosa di San Giacomo, Capri, Italy
Studio Trisorio / Project Wall, Studio Trisorio, Capri, Italy
2021 The shape of gold, Buildingbox, Milan, Italy
2020 Jan Fabre. The Castles in the Hour Blue, Musée des Beaux Arts, Arras, France
L’Heure Savage, Templon Gallery, Brussels, Belgium
Feast of Little Friends, National Museum, Belgrade, Serbia
2019 Jan Fabre. The Rhythm of the Brain, Palazzo Merulana, Rome, Italy
Revolution is us – La rivoluzione siamo noi, Autostrada Biennale, Prizren, Kosovo
The Man Who Measures the Clouds (Monument to the Measure of the Immeasurable), Palazzo Balbi Valier, Canal Grande, 58. Biennale di Venezia, Venice, Italy
L’uomo che sorregge la croce, Pio Monte della Misericordia, Naples, Italy
Le garçon qui porte la lune et les étoiles sur sa tête, FOndation Linda e Guy Pieters, Saint-Tropez, France
L’uomo che misura le nuvole, Museo Madre, Naples, Italy
Oro rosso. Golden and Coral Sculptures, Blood Drawings, Museo e Real Bosco di Capodimonte, Naples, Italy
Omaggio a Hieronymus Bosch in Congo, Studio Trisorio, Naples, Italy
2018 Loyalty and Vanity, Gallery 604 + Project B6, Busan, South Korea
Jan Fabre. The castles in the hour blue, Building Gallery - Basilica of Sant’Eustorgio - Portinari Chapel, Milan, Italy
Jan Fabre – Ecstasy & Oracles, several locations in Monreale and Agrigento, Manifesta 12, Palermo, Italy
Ma Nation: L’imagination, Maegh Foundation, St. Paul de Vence, France
Folklore Sexuel Belge (2017-2018) Mer du nord sexuelle belge (2018). Edité et offert par Jan Fabre, le bon artiste belge, Galerie Templon, Paris, France
My Queens, Royal Museum of Fine Arts of Belgium, Brussels, Belgium
Jan Fabre. The appearance and disappearance of Bacchus, Antwerp, Christ (2016). Special creations for The State Hermitage Museum, Galerie Templon, Brussels, Belgium
Jan Fabre. Stigmata. Actions & Performances (1976-2018), Centro Andaluz de Arte Contemporáneo, Sevilla, Spain
Maskers, MAGAZZINO, Rome, Italy
2017 Viewing boxes, thinking models and drawings (1977-2008), Deweer gallery, Otegem, Belgium
Jan Fabre. Stigmata. Actions & Performances (1979-2017), Leopold Museum, Vienna, Austria
Jan Fabre. Glass and bones sculptures 1977-2017, Abbazia di San Gregorio, Venice, Italy
Le carnival des morts, BRAFA, Brussels, Belgium
2016 Jan Fabre. Knight of despair / Warrior of beauty, The Hermitage Museum, St. Petersburg, Russia
Jan Fabre. Stigmata. Actions & Performances (1979-2016), MAC Lyon, Lyon, France
Falsification de la fête secrète IV (Carnival), Guy Pieters Gallery, Knokke-Heist, Belgium
When Will I Be Little Again?, Cricoteka, Krakow, Poland
Jan Fabre. Tribute to Hieronymus Bosch in Congo, Het Noordbrabants Museum, The Netherlands
Jan Fabre. Vanitas Vanitatum, Omnia Vanitas, Deweer Gallery, Otegem, Belgium
Jan Fabre. Tribute to Belgian Congo, a selection, Amsterdam Art Rooms, Amsterdam, The Netherlands
Jan Fabre. Spiritual Guards, Forte Belvedere; Piazza della Signoria, Palazzo Vecchio, Florence, Italy
Jan Fabre. Knight of the night, Ronchini Gallery, London, United Kingdom
2015 Sacrum Cerebrum, Art Bärtschi & Die, Geneve, Switzerland
The man who bears the cross, At The Gallery, Antwerp, Belgium
Belgique, Galerie Templon, Paris, France
30 years / 7 rooms, Deweer Gallery, Otegem, Belgium
The years of the hour blue, MAGAZZINO, Rome, Italy
Knight of the knight, Galleria Il Ponte, Firenze, Italy
The drawing room [II], Deween Gallery, Otegen, Belgium
Tribute to Hieronymus Bosch in Congo, Espace Louis Vuitton, Tokyo, Japan
Jan Fabre. Stigmata. Actions & Performances (1979-2015), MHKA, Antwerp, Belgium
The Lime twig men, At The Gallery, Antwerp, Belgium
Jan Fabre. Tribute to Hieronymus Bosch in Congo (2011-2013), Wetterling Gallery, Stockholm, Sweden
Facing time. Félicien Rops/Jan Fabre, Musée Rops, Namur, Belgium
Tribute to Hieronymus Bosch in Congo (2011-2013). Tribute to Belgian Congo (2010-2013), Galerie Templon, Paris, France
2014 Do We Feel With Our Brain And Think With Our Heart?, MAGAZZINO, Rome, Italy
The Spiritual Sceptic, At The Gallery, Antwerp, Belgium
Zeno Brains Ans Oracle Stones, La Llotja, Palma de Mallorca, Spain
Jan Fabre. Do We Feel With Our Brain And Think With Our Heart?, Galerie Daniel Templon, Brussels, Belgium
Jan Fabre. Insectentekeningen En Insectensculpturen 1975-1979, Rijksmuseum Twenthe, Twenthe, The Netherlands
Jan Fabre. Tribute to Belgian Congo (2010-2013) & Tribute to Hieronymus Bosch In Congo (2011-2013), PinchukArtCentre, Kiev, Ukraine
2013 Jan Fabre. The Years Of The Hour Blue, Busan Museum, Busan, South Korea
Tribute to Hieronymus Bosch in Congo & Illuminations (2011-2013), Palais des Beaux-Arts, Lille, France
Jan Fabre. Stigmata. Actions & Performances (1979-2013), MAXXI, Rome, Italy
Jan Fabre. Skulls & Mosaics, Chemin des Trious, Saint Paul de Vence, France
Jan Fabre. Insektenzeichnungen & Insektenskulpturen 1975-1979, Kunsthalle Recklinghausen, Recklinghausen, Germany
Jan Fabre. Chalcosoma, Skulpturenpark Waldfrieden, Germany
Gisants (Hommage Aan E. C. Crosby & K. Z. Lorenz), Galerie Templon, Paris, France
2012 Art Is Medusa, Giuseppe de Nittis Gallery – Palazzo della Marra, Barletta, Italy
Jan Fabre. Insektenzeichnungen & Insektenskulpturen 1975-1979, Ikob, Eupen, Belgium
One Man's Death Is Another Man's Chocolate & 9 Chapters, Galerie Klüser, Munchen, Germany
Jan Fabre. Chalcosoma, Guy Pieters Gallery, Knokke-Heist, Belgium
Vidéodanse, Les Trente Ans, Centre Pompidou, Paris, France
Jan Fabre. Chapters I-XVIII. Waxes & Bronzes, Royal Museums of Fine Arts of Belgium, Brussels, Belgium
Zeno Brains and Oracle Stones, Mario Mauroner Contemporary Art, Vienna, Austria
Jan Fabre. Kerkmeester, Dam Square, Amsterdam, The Netherlands
Tribute to Hieronymus Bosch in Congo, MAM Salzburg, Salzburg, Austria
Working Drawings Jan Fabre (1984), MAM Vienna, Weihburggasse 26, Vienna, Austria
Pietas, Park Spoor Noord, Antwerp, Belgium
Rollercoaster - Het Beeld Van De 21ste Eeuw, MOTI, Breda, The Netherlands
De Jaren Van Het Uur Blauw, Musée d’Art Moderne, Saint-Etienne Métropole, France
2011 Pietas, Nuova Scuola Grande di Santa Maria della Misericordia, Fondamenta della Misericordia, 54. Venice Biennale, Venice, Italy
Jan Fabre. The Years of the Hour Blue, Kunsthistorisches Museum, Picture Gallery, Vienna, Austria
Hortus / Corpus, Kröller-Müller Museum, Otterlo, The Netherlands
2010 Alternative Humanities: Jan Fabre & Katsura Funakoshi, 21st century Museum of Contemporary art, Kanazawa, Japan
Jan Fabre. Le temps emprunté, Museo Carlo Bilotti Aranciera di Villa Borghese, Rome, Italy
Art kept me out of jail. Performance installations by Jan Fabre 2001-2004-2008, MHKA, Antwerp, Belgium
2009 Jan Fabre. From the Feet to the Brain, Arsenale Novissimo, 53. Venice Biennale, Venice, Italy
2008 Jan Fabre. From the Cellar to the Attic. From the Feet to the Brain, Kunsthaus Bregenz, Bregenz, Austria
Jan Fabre au Louvre: l’ange de la métamorphose, Musée du Louvre, Paris, France
2007 Antropologie Van Een Planeet, Palazzo Benzon, Venice, Italy
2006 Homo Faber, M HKA, Antwerp, Belgium
2001 Umbraculum, different locations
2022 The collection of the National Museum of Art, Osaka: 100 years of contemporary art, Hiroshima Prefectural Art Museum, Hiroshima, Japan
Collection exhibition 2 blue, 21st Century Museum of Contemporary Art, Kanazawa, Japan
Triple Take, Wilde Gallery, Basel, Switzerland
The Brain. In Art & Science, Bundeskunsthalle, Bonn, Germany
Mode surreal - A crazy love for wearing, Tokyo Metropolitan Teien Art Museum, Japan
2021 Thailand Biennale Korat, Korat, Thailandia
Glasstress. Window to the Future, St. Peterburg, Russia
Poes. Hoe de kat de mens vangt, Yper Museum, Yper, France
Purity on its knees, Pilevnely Gallery, Istanbul, Turkey
2019 Looking Forward, Kateleer Gallery, Antwerp, Belgium
One way ticket to Mars, Kunsthal KAdE, Amersfoort, The Netherlands
Where we now stand— in order to map the future [1], 21st Century Museum of Contemporary Art, Kanazawa, Japan
PIKANT!, The Phoebus Foundation, Jersey, The Netherlands
2018 La collection BIC, Le centre-quatre, Paris, France
Promises of a face, Royal Museums of Fine Arts of Belgium, Brussels, Belgium
As far as the eye can see, Kunsthalle Würth, Kunzelsau, Germany
In tribute to Jack Tilton: a selection of works from 35 years, Tilton Gallery, New York, USA
2017 The artist/knight, Gaasbeek Castle, Gaasbeek, Belgium
Art festival in Aardenburg, St. Bavo’s Church, Aardenburg, The Netherlands
Celibatair Divas, The Abbey of Herkenrode, Hasselt, Belgium
Fragile State, PinchukArtCentre, Kyiv, Ukraine
Antidoron. The EMST Collection, Fridericianum, Kassel, Germany
The beauty of the beast, D'Ursel Castle, Hingene, Belgium
Forever & beyond. A tale about drawings, At The Gallery, Antwerp, Belgium
L'attention au réel, The Musée des Beaux-Arts de Caen, Le Château, Caen, France
Glasstress, Palazzo Franchetti, Venice, Italy
Hair and feathers, Musée de Flandre, Cassel, France
Maria, Museum Catharijne Convent, Utrecht, The Netherlands
Collector's Room # 14: black / white, Deweer Gallery, Otegem, Belgium
2016 Urgent conversations: Athens – Antwerp, EMST, Athens, Greece
Under the spell of Bosch, Het Noordbrabants Museum, Hertogenbosch, The Netherlands
Another World, Museum Dr. Guislain, Ghent, Belgium
Renaissances, Un Hommage Contemporain À Florence, Fondation Etrillard, Paris, France
Glass, Villa dei Vescovi, Padova, Italy
Vanitas, Maison de Consuls, Matelles, France
Divine Decadence, Kasteel van Gaasbeek, Gaasbeek, Belgium
Intrigantes Incertitudes. Dessin Contemporain, MAMC, Saint-Priest-en-Jarez, France
2015 Skelet, Museum Beelden aan Zee, Scheveningen, The Netherlands
Post Mortem, UGent, Ghent, Belgium
I belgi. Barbari e poeti, Vanderborcht, Brussels, Belgium
I belgi. Barbari e poeti, MACRO, Rome, Italy
La ou commence le jour, LaM Lille, France
The importance of being, MACBA, Buenos Aires, Argentina
Anima / Animal, Abbaye Royal de Saint - Riquier, Saint – Riquier, France
2014 Passions Secrètes, Tripostal, Lille, France
Collector's Room #7, Deweer Gallery, Otegem, Belgium
Fabrica Vitae, London, United Kingdom
Vie della Scultura, Villa Bertelli, Forte dei Marmi, Italy
The Symbiosis Of Physicality And The Spiritual, Residenz – Salzburg, Salzburg, Austria
Michelangelo E Il Novecento, Palazzina dei Giardini, Galleria civica di Modena, Modena, Italy
Stille Kracht. Een Onderzoek Naar Rituelen In Hedendaagse Kunst, De Warande, Turnhout, Belgium
Health - Something Of Value, National Bank of Belgium, Brussels, Belgium
2013 Illuminations, Palais des Beaux-Arts, Lille, France
Wunderkammer, Academia Belgica, Rome, Italy
Vanitas Revisited, Gallery Ronny van de Velde, Knokke, Belgium
Museum To Scale 1/7, Royal Museums of Fine Arts of Belgium, Brussels, Belgium
Middle Gate Geel '13, St. Dimpnakerk, Geel, Belgium
Les Aventures De La Vérité Peinture Et Philosophie, Fondation Maeght, Saint-Paul de Vence, France
Baza(A)R Belg(I)E, CENTRALE for contemporary art, Brussels, Belgium
Framed - By Ted Noten, Stedelijk Museum ‘s Hertogenbosch, Hertogenbosch, The Netherlands
Wunderkammer Venezia 2013, Palazzo Widmann, Venice, Italy
Fragile - Murano. Chefs-D'oeuvres De Verre De La Renaissance Au XXI Siècle, Musée Maillol, Paris, France
Ballpoint Pen Drawing Since 1950, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, USA
Babel, Palais des Beaux Arts de Lille, Lille, France
Speaking Artists, Busan Museum of Art, Busan, South Korea
Venice International Performance Art Week, Palazzo Bembo, Venice, Italy
2012 Cross-Examinations #3 These And Other Works. Explaining Belgian Art To A Foreigner, Extra City Kunsthal, Antwerp, Belgium
Collection1, Works From The October Salon Collection, The Cultural Centre of Belgrade, Belgrade, Serbia
R/Evolution On Paper. Five Centuries of Drawings from the Klüser Collection, Alte Pinakothek, München, Germany
From Head To Toe Human Images In The Focus Of The Würth Collection, Kunsthalle Würth, Schwäbisch Hall, Germany
Schriftuur / Scripture, Bond, Bruges, Belgium
Re-Opening, Deweer Gallery, Otegem, Belgium
Theatre Of The World, Museum of Old and New Art, Australia
Babel, Palais des Beaux Arts de Lille, Lille , France
Mindmap. Een Manifestatie Over Kunst En Psychiatrie, Odapark, Venray, The Netherlands
Forte Piano: Le Forme Del Suono, Auditorium Parco della Musica, Flaminio – Rome, Italy
Son Et Lumière - Material, Transition, Time, MOTI, Breda, The Netherlands
Son Et Lumière - Material, Transition, Time, 21st century Museum of Contemporary Art, Kanazawa, Japan
Struggle(S), Maison Particulière, Art Center, Brussels, Belgium
Bookshowbookshop, Be – Part, Platform for contemporary art, Waregem, Belgium
GOUD, Galerie Belvedere, Vienna, Austria
2011 De Dood Leeft, Tropenmuseum, Amsterdam, The Netherlands
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